14’s Good, 18’s Better

Nov 27, 2014 — Repertory PicksNew York’s Museum of the Moving Image is kicking off its series See It Big: Animation this holiday weekend. And what better movie for Thanksgiving time than one about an unrepentant poultry thief? Wes Anderson’s Fantastic Mr. Fox, featuring...

Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.

Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.

Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.

Jun 25, 2014 — Hearts and Minds is the classic antiwar documentary film of the Vietnam era. It was released in 1974, one year after the United States withdrew its military forces from Vietnam and a year before North Vietnamese and National Liberation Front...

Jun 2, 2014 — One Scene When I first heard about The Human Condition (1959–61), I was already familiar with director Masaki Kobayashi’s irreverent Harakiri (1962), a favorite film of mine where samurai are scum of the earth and honor is equivalent to dirt....

May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.

May 1, 2014 — When Walter Wanger conceived the movie that would become Riot in Cell Block 11, he wasn’t thinking in terms of pop culture. The longtime independent film producer, with classics (and Criterion releases) such as Stagecoach and Foreign Correspondent to his...