The Criterion Collection
Essays
Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
The Daily
Feb 14, 2022 — The Berlinale’s most adventurous section offers adaptations, inspiration, and a slice of its own history.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
The Daily
Jan 13, 2022 — Yes, he opened doors, but he also brought a singular presence to American cinema.
The Daily
Jan 3, 2022 — Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.
The Daily
Dec 14, 2021 — Handsome volumes on Wes Anderson and David Fincher, a biography of Greta Garbo, and a memoir from Mel Brooks are among this month’s highlights.
Dec 3, 2021 — What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...
The Daily
Nov 29, 2021 — The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”