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The Almost Man

Jan 12, 2021 In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...

Jun 26, 2000 Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.

Sep 27, 1999 In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...

Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Dec 2, 2024 Metrograph presents new restorations of Lino Brocka’s Bona (1980) and Lupita Aquino-Kashiwahara’s Once a Moth (1976).

June Books

The Daily

Jun 18, 2024 We’re diving deeper this month into a new Elaine May biography and memoirs from Susan Seidelman and Griffin Dunne.

Buñuel in Mexico

The Daily

Jan 31, 2024 MoMA presents a series of musicals, comedies, and melodramas injected with Buñuel’s singular surrealist vision.

Aug 25, 2023 Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Feb 11, 2020 How might four history-making Oscars impact movies from here on out?

May 23, 2019 Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...

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