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Still Life

Jan 15, 2019 In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

Jan 14, 2019 MoMA’s festival of film preservation features Lubitsch, Akerman, Murnau, Lupino, and an eclectic array of rediscoveries.

Jan 14, 2019 Songbook “Don’t You (Forget About Me)” could have had many lives before the life it eventually had. But the song had to work hard to be recorded at all. No one particularly wanted to sing it, and it was turned...

Jan 9, 2019 There’s a certain tall-tale quality to Sandi Tan’s life. When the California-based filmmaker was growing up in Singapore in the 1980s and ’90s, movies were a powerful way of experiencing the world beyond her small native country, a place she...

Jan 4, 2019 The new year brings us new issues of Cinema Scope, Film Comment, the DGA Quarterly, and World Records.

Jan 3, 2019 We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.

Dec 28, 2018 Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Dec 26, 2018 Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.

Dec 19, 2018 The star of one of the biggest sitcoms in the 1970s directed three major hit films in the late ’80s and early ’90s.

Dec 14, 2018 In this week’s round: Tarkovsky and Eisenstein, Godard and Varda, and one of the most consequential television programs of all time.

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