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La escondida/The Hidden One

Jan 21, 2008 Lindsay Anderson’s adaptation of David Storey’s novel is a clenched fist of a movie that follows a professional Rugby League player who instinctively channels feeling through physical aggression.

Jan 21, 2008 As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”

Jan 21, 2008 While Agnès Varda was prescient in picking up on the new social phenomenon of France’s young female drifters, she also anticipated the culture of extreme individualism that has come to dominate Western society since the 1980s.

Jan 21, 2008 Agnès Varda seizes the kind of immediacy and tension associated, at the start of the sixties, with the cinema verité documentary movement and uses it to create a new form of fiction.

Sep 3, 2007 Ataxi, without a client in the car or anywhere else in sight, goes around Helsinki’s Senate Square, a place that resonates with history, having seen more patriotism, class struggle, and celebration than any other place in faraway Finland. It stood...

Sep 3, 2007 Aconversation, a misunderstanding. The basic pattern in many of Jim Jarmusch’s films is two characters, sometimes three, bound together by chance and wandering along toward an ill-defined goal, each trying all the while to get to know the other or...

Aug 20, 2007 In the mid-sixties, Luis Buñuel became fascinated by the youth rebellion that culminated with the events of May 1968 in Paris and also manifested itself in music, fashion, opposition to institutions, family, and state. Buñuel felt that the forces of...

Aug 1, 2007 Two towering figures of cinema died this week, and while we can all be grateful that they lived such long and fruitful lives, their departures were nevertheless profoundly saddening, and shocking in their coincidence. Look to your right at our...

Jul 9, 2007 Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.

Jul 9, 2007 This unforgettable drama about damaged adolescents combines Jean Cocteau’s penchant for mythic poetry and Jean-Pierre Melville's knack for crafting intricate schemes.

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