The Criterion Collection
May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.
May 12, 2022 — New York’s Museum of the Moving Image presents a series of nineteen films shot by the accomplished cinematographer.
Features
May 11, 2022 — Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.
The Daily
May 6, 2022 — This week: Tarkovsky’s answer to Kubrick, the Otolith Group, Brooklyn filmmakers, German scenes, and Béatrice Dalle.
May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...
The Daily
May 4, 2022 — The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.
The Daily
May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.
Features
Apr 27, 2022 — In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.
Apr 26, 2022 — Bertrand Tavernier was well known as one of the world’s great champions of cinema, in addition to being a great filmmaker himself. He was also a lifelong student and fan of jazz music and had been wanting to make a...