Oct 24, 2023 This November, learn the art of the con from some of cinema’s craftiest swindlers, or saddle up alongside some of the most complex and determined female characters in the history of the western.

Oct 24, 2023 A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...

Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Love Wins

The Daily

Oct 19, 2023 The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Oct 17, 2023 She left the movies twice but returned to deliver memorable performances in The Hustler, Carrie, and Twin Peaks.

Oct 17, 2023 MoMA will screen two films by one of Iran’s greatest directors—who, along with his wife, has been murdered.

Late Dialogues

The Daily

Oct 13, 2023 Look who’s talking: Martin Scorsese, Michael Mann, Nathaniel Dorsky, Ryusuke Hamaguchi, Gregg Araki . . .

Oct 12, 2023 The director completes her “trilogy on Italian identity” by offering an outsider’s point of view.

Oct 11, 2023 New York and London jointly launch a new restoration of the first feature directed by a Black British filmmaker.

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