The Criterion Collection
Jun 25, 2012 — For this Edinburgh-based writer and filmmaker, Hitchcock’s Scottish caper is both fantasy and reality.
Jul 19, 2010 — “It is the most erotic film that I have ever made,” wrote Michael Powell of Black Narcissus. “It is all done by suggestion, but eroticism is in every frame and image, from the beginning to the end.”
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.
Apr 28, 2003 — The sense of the difficulty of a real assumption of adulthood gives François Truffaut’s final Antoine Doinel film an undercurrent of anguish, despite its surface lightness.
The Daily
May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.
The Daily
Apr 29, 2026 — Film at Lincoln Center’s thirteen-film series will feature an evening with the man himself.
On the Channel
Mar 18, 2026 — This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.
The Daily
Mar 10, 2026 — Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.
The Daily
Feb 9, 2026 — Films from South Africa, Bangladesh, France, and Georgia are among this year’s winners.
Essays
Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.