The Criterion Collection
Mar 18, 2009 — Writer, critic, and film lecturer Teruyo Nogami also served as one of Akira Kurosawa’s principal assistants. Hired as script supervisor on 1950’s Rashomon, Nogami went on to work on all of Kurosawa’s subsequent films, later chronicling their unique relationship in...
Apr 16, 2007 — Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.
Feb 22, 2012 — When it comes to depicting actual people’s jobs, the truism goes, Hollywood gets everything wrong with stunning regularity. The rare exception is Otto Preminger’s Anatomy of a Murder (1959), widely considered among the finest trial films ever made, and maybe...
Essays
Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.
Essays
Sep 13, 2004 — The following piece by Sony Pictures Classics cofounder and copresident Michael Barker, who picked up Slacker for Orion Classics in 1991, originally appeared in the program for the 2001 Austin Film Society event Slacker: A Ten-Year Reunion. What I’ve found...
Dec 29, 2008 — If I had not seen The Lady Vanishes at the age of seven, I might never have become a film critic. I was the fifth child of parents well into middle age: clearly an “accident,” as I was ten-years-plus younger...
The Daily
Mar 1, 2019 — Barbara Hammer gives an “exit interview,” Béla Tarr discusses Sátántangó, and Neil Jordan writes about the projects that got away.
Essays
Oct 30, 2000 — Perry Henzell’s reggae-infused outlaw film reflects the political climate of the times, when anti-government movements were sweeping America and the world.
The Daily
May 26, 2023 — This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.