The Criterion Collection
Oct 15, 2015 — Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.
Short Takes
Oct 14, 2015 — Maharishi University of Management is now accepting applications for its David Lynch MA in Film program.
Short Takes
Oct 9, 2015 — Agnès Varda keeps popping up in the most unexpected places.
Oct 2, 2015 — We were delighted when Greek director Yorgos Lanthimos and his wife, the actress Ariane Labed, dropped by for lunch in the Criterion kitchen on Monday.
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Jul 30, 2015 — It is now thirty years since the release of Stephen Frears’s film, which was both a product of and a response to the social and political landscape of 1980s Britain and depicted the lives of Pakistani immigrants with wit and...
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.
Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.
Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....
Jun 24, 2015 — PerformancesThe late character actor Michael Jeter had a profound effect on me as a child, but as with so many things, I didn’t realize it until I was an adult. Twenty-five years ago this month, I saw my first Tony...