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Not Wanted

Oct 29, 2001 Peter Medak’s stinging satire is unashamedly theatrical, emerging from a fascinating period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.

Oct 15, 2001 The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.

The Vanishing

Essays

Sep 17, 2001 George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.

Jul 9, 2001 Director Bruce Robinson reminisces about the days that inspired his uproarious black comedy.

Playtime

Essays

Jun 3, 2001 Jacques Tati’s singular satire is a series of giddy encounters between people and things in which the wonders of “modern life” relinquish their functionality in favor of an unaccountably rapturous beauty.

Spartacus

Essays

Apr 23, 2001 Of all the actors to try their hand at producing, Kirk Douglas may have been the most audacious. Spartacus illustrates his taste for unorthodox material, and the story behind the making of the movie reveals a great deal about Douglas’...

Feb 19, 2001 Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.

Oct 30, 2000 Perry Henzell’s reggae-infused outlaw film reflects the political climate of the times, when anti-government movements were sweeping America and the world.

May 15, 2000 Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...

Apr 24, 2000 PREFACE Aman who dozes, his mouth half open, in front of a wood fire, lets slip some secrets from that night of the human body that is called the soul, over which he is no longer master. The sentry of...

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