The Criterion Collection
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
Apr 28, 2026 — As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...
The Daily
Apr 22, 2026 — Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.
The Daily
Apr 3, 2026 — This week: Mani Haghighi, Kiyoshi Kurosawa, Sophy Romvari and Martha Coolidge, and Ken and Flo Jacobs.
Mar 30, 2026 — Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.
Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.
The Daily
Feb 9, 2026 — Films from South Africa, Bangladesh, France, and Georgia are among this year’s winners.
Feb 5, 2026 — In a collection of behind-the-scenes documentaries now playing on the Criterion Channel, legendary female performers assert their agency over their screen personae and find freedom in the glamour and artifice of their profession.
Essays
Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.