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Into the Okavango

Apr 28, 2026 In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

IFFBoston 2026

The Daily

Apr 22, 2026 Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.

Not I, AI

The Daily

Apr 10, 2026 Jia Zhang-Ke and Steven Soderbergh experiment with AI, plus: Jim Jarmusch, Tina Aumont, and Elvira Notari.

Apr 3, 2026 This week: Mani Haghighi, Kiyoshi Kurosawa, Sophy Romvari and Martha Coolidge, and Ken and Flo Jacobs.

Mar 30, 2026 Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.

Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Feb 9, 2026 Films from South Africa, Bangladesh, France, and Georgia are among this year’s winners.

Feb 5, 2026 In a collection of behind-the-scenes documentaries now playing on the Criterion Channel, legendary female performers assert their agency over their screen personae and find freedom in the glamour and artifice of their profession.

Jan 29, 2026 Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

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