The Criterion Collection
Lou Lumenick is the chief film critic of the New York Post. He has also written for Moving Image Source and been a guest programmer for Turner Classic Movies.
Richard Porton is one of the editors of Cineaste in New York. He is the author of Film and the Anarchist Imagination and the editor of Dekalog 3: On Film Festivals.
Paul Thomas is Emeritus Professor of Political Theory and American Cultures at the University of California, Berkeley. A contributing editor of Film Quarterly, he is currently at work on a critical biography of Jean Renoir.
A. S. Hamrah’s work has appeared in a number of publications, including n+1, Bookforum, and Harper’s. A collection of his work, The Earth Dies Streaming: Film Writing, 2002–2018 (n+1 Books), was called “essential reading” by the Nation and “form-bending, disobedient”...
Mark Kermode is a film critic and broadcaster who works for the BBC, the Observer, and Sight & Sound.
Thomas Beard is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, and a Programmer at Large for Film at Lincoln Center.
Tony Pipolo writes extensively on film. He is the author of the award-winning Robert Bresson: A Passion for Film and is a practicing psychoanalyst in New York.
Giulia D’Agnolo Vallan is a New York–based film writer and curator, and U.S. programmer and selection committee member of the Venice Film Festival. From 2003 to 2006, she was the codirector of the Torino Film Festival. Among her books are...
Steve Erickson is the author of Shadowbahn, Zeroville, and eight other novels that have been translated into a dozen languages. He is the chair of creative writing at the University of California, Riverside, where he teaches literature and film.