Ik-Film

Kevin Brownlow was a film collector at eleven and a filmmaker at fourteen. He became fascinated with the silent era and interviewed many of the pioneers, writing The Parade’s Gone By in 1968 and making the miniseries Hollywood in 1980...

Farran Smith Nehme has written about film and film history for the New York Post, Barron’s, the Wall Street Journal, Film Comment, the Village Voice, and Sight and Sound as well as for her Substack, Self-Styled Siren.

Steven Vineberg is the author of Method Actors: Three Generations of an American Acting Style; No Surprises, Please: Movies in the Reagan Decade; and High Comedy in American Movies. He teaches theater and film at College of the Holy Cross,...

Melissa Anderson is the film editor of 4Columns and the author of a monograph on David Lynch’s Inland Empire from Fireflies Press.

Barry Day is a Noël Coward scholar and the author of Coward on Film: The Cinema of Noël Coward.

Kim Morgan is a film writer and screenwriter whose work has appeared in Sight and Sound, Filmmaker magazine, the Los Angeles Review of Books, and the New Beverly Cinema blog, as well as her own blog, Sunset Gun. She cowrote...

Paul Mayersberg started as a film critic, worked as an assistant to Jean-Pierre Melville, Joseph Losey, and Roger Corman, and became the screenwriter of The Man Who Fell to Earth, Merry Christmas Mr. Lawrence, Eureka, and Croupier. He is the...

Greil Marcus is the author of Lipstick Traces, The Shape of Things to Come, and The Manchurian Candidate in the BFI Film Classics series. With Werner Sollors, he is the editor of A New Literary History of America (Harvard, 2009)....

Haskell Wexler is the two-time Academy Award–winning cinematographer behind Who’s Afraid of Virginia Woolf and Bound for Glory. The 1969 film Medium Cool, which he wrote, directed, and shot, was selected for preservation by the Library of Congress in 2003.

Haden Guest is the director of the Harvard Film Archive and a senior lecturer in film, art, and visual studies at the university.