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Brother

Mar 6, 2017 To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

The Call of the Wild

On the Channel

Jan 1, 2017 The Korda brothers’ voluptuous fantasy Jungle Book—directed by Zoltán, produced by Alexander, and art-directed by Vincent—captures that mood-swinging moment in late childhood when the adult world seems to be unbearably corrupt and nothing could be more exhilarating than escaping to...

Exile at Home

Features

Dec 18, 2016 Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Dec 16, 2016 Did You See This? To commemorate the fiftieth anniversary of Michelangelo Antonioni’s Blow-Up, Adam Scovell visited the film’s unforgettable London locations. Another masterpiece made half a century ago is Ousmane Sembène’s Black Girl, a scathing critique of racism anchored by...

NYFF Roundup and More

Short Takes

Sep 30, 2016 Did You See This? In anticipation of the fifty-fourth annual New York Film Festival, opening tonight, Indiewire has surveyed the must-see films playing in the revivals section, including Gillo Pontecorvo’s The Battle of Algiers, Tomás Gutiérrez Alea’s Memories of Underdevelopment,...

Storyboarding Blood Simple

Visual Analysis

Sep 19, 2016 Featuring commentary by the Coens, Sonnenfeld, and actor Frances McDormand, this video, created by photographer Grant Delin, highlights the careful planning that went into the film’s construction.

Sep 16, 2016 Critic Phillip Lopate explores the duality of the director’s approach to his female protagonists and asks whether his films are proto- or antifeminist.

Jul 20, 2016 In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.

May 24, 2016 In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.

Apr 19, 2016 In Whit Stillman’s second feature, cousins Fred and Ted Boynton (Chris Eigeman and Taylor Nichols) navigate an occasionally hostile culture and their own late transitions to adulthood.

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