The Criterion Collection
Dec 3, 2019 — Performances If there was one mother-daughter television date my busy mum was always willing to down tools for, it was a Bette Davis movie. Her favorite—and mine, for the preteen period when I gave the thumbs-up to anything my mother...
Nov 29, 2019 — Since its debut in 2003, the online film publication Reverse Shot has found playful and provocative ways of blurring the boundaries between presumed opposites. With their tradition of symposiums—collections of newly commissioned essays on various topics and questions in film...
On the Channel
Nov 27, 2019 — Check out what’s in store next month on our streaming service!
The Daily
Nov 26, 2019 — A smart and lively adaptation of a 150-year-old classic is warmly greeted in the first round of reviews.
Nov 26, 2019 — Bette Davis gets the first laugh in Joseph L. Mankiewicz’s All About Eve (1950), and a little over two hours later, she gets the last laugh too. The film opens at the dinner for something called the Sarah Siddons Award...
Nov 22, 2019 — Jean-Jacques Beineix’s vibrant art-house sensation Betty Blue (1986) introduced to the world, in twenty-one-year-old Béatrice Dalle, an extraordinary new acting talent. Fully inhabiting the warmth, sexiness, and increasingly violent self-destructiveness of the title character, whose stormy love affair with an...
Nov 22, 2019 — Critics are praising the French New Wave icon’s joyous and reflective final film, which hits theaters in New York this week.
Nov 21, 2019 — Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...
Essays
Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...
The Daily
Nov 18, 2019 — A new restoration of the novelist and critic’s debut feature opens in New York on Friday.