The Criterion Collection
Jun 27, 2024 — At their best, movies that showcase a sizable collective of virtuosic actors can give you the feeling of a rich ecosystem being brought to life.
The Daily
Jun 26, 2024 — A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).
Features
Jun 25, 2024 — A collection on the Criterion Channel charts the evolution of the synthesizer—from its infancy in the 1950s to its maturity in the 1980s—and its transformative impact on film music.
The Daily
Jun 24, 2024 — Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.
The Daily
Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.
Jun 21, 2024 — An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.
The Daily
Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.
The Daily
Jun 20, 2024 — She was Demy’s Lola, Fellini’s Luisa, and in Lelouch’s A Man and a Woman, Trintignant’s lover.
Jun 20, 2024 — Miryam Charles is a Canadian director, producer, and cinematographer of Haitian origin. Her short films have been showcased in various festivals around the world. In 2022, her first feature film, Cette maison, premiered at the Berlinale; also screened at the...
Jun 19, 2024 — A masterpiece from the golden age of Mexican cinema, Emilio Fernández’s film is a prime example of the cabaretera film, an offshoot of the popular “prostitute melodrama” genre.