The Criterion Collection
Features
Aug 14, 2020 — One Scene Over the course of an adventurous career that encompassed narrative and documentary filmmaking as well as photography, sculpture, and video installation, Agnès Varda was a shape-shifter who merged her deep engagement with social reality with a playful, endlessly...
Features
Oct 3, 2019 — By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...
Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.
Essays
May 30, 2017 — Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.
Production Notes
Apr 27, 2017 — 1. As I began work on The Kennedy Films of Robert Drew and Associates, I knew that 1960’s Primary was really the birth of what we think of as the modern documentary: observational photography based on access to an interesting subject, presenting...
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.
Jun 28, 2016 — When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...
Jan 7, 2016 — At the gala for the New York Film Critics Circle’s 2016 awards dinner Criterion president Peter Becker accepted an award on behalf of his father, Criterion cofounder William Becker. His remarks are reproduced here.
Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”
Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.