The Criterion Collection
Features
Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.
Feb 23, 2017 — Pedro Almodóvar’s Oscar-nominated breakthrough revels in the complexities of the female psyche.
Feb 3, 2017 — Over on the Criterion Channel, for Super Bowl weekend, we’re showing the first football movie ever made, Harold Lloyd’s crackerjack comedy The Freshman (1925), and the first rugby-football movie ever made, Lindsay Anderson’s heart-pounding drama This Sporting Life (1963). And...
In Theaters
Jan 11, 2017 — Repertory PicksIn advance of the continuation of David Lynch’s cult series Twin Peaks, premiering on television this May, the Texas Theatre, in Dallas, presents a screening of his debut feature, Eraserhead. Made on a shoestring budget, this midnight-movie favorite takes...
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
On the Channel
Jan 9, 2017 — The glittering surfaces of classic fairy tales often mask undercurrents of emotional torment, spiritual foreboding, and moral transgression. This week, our latest series on the Criterion Channel, Happily Ever After?, showcases the deviant forces lurking within some of cinema’s most...
In Theaters
Jan 4, 2017 — Repertory PicksPlaying this week at the Charles Theatre, in Baltimore, Maryland, Gregory La Cava’s delightful 1936 romp My Man Godfrey stars the effervescent Carole Lombard as eccentric Manhattan socialite Irene, who decides to hire a man she believes to be...
On the Channel
Nov 25, 2016 — Just in time for Black Friday, two cinematic masters playfully pillory consumerism for our weekly double feature: Yasujiro Ozu’s Good Morning (1959) and Jacques Tati's Mon oncle (1958). But these wildly different virtuosos mount opposite attacks, Ozu sweetly funny in...
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.