Feb 7, 2018 Last week, the SXSW Film Festival presented 132 features lined up for its 2018 edition running from March 9 through 18. Today, the festival announces that Wes Anderson’s Isle of Dogs will be this year’s Closing Night Film—and it’s added...

Feb 6, 2018 “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...

Feb 5, 2018 In this excerpt from a supplement on our release of G. W. Pabst’s Kameradschaft, scholar Hermann Barth explores the painstaking work of set designer Ernő Metzner.

Feb 2, 2018 New York. First, we look past the new few days with a few lineup announcements. EW’s Clark Collis reports on Pacino’s Way, a retrospective of over twenty-five films, “the majority screening on 35 mm prints,” that will run at the...

Feb 2, 2018 Tell Me: Women Filmmakers, Women’s Stories opens today at the Metrograph and runs through February 15. “Programmer Nellie Killian’s selections, which span more than three decades and a wide range of documentary styles, include fascinating titles by directors with a...

Feb 1, 2018 The Tracking Board’s Jeff Sneider hears from “multiple sources” that Clint Eastwood—seen above in Gran Torino (2008)—is “circling” The Mule, a project based on Sam Dolnick’s 2014 article for the New York Times Magazine about Leo Sharp, a ninety-year-old courier...

Jan 31, 2018 The SXSW Film Festival, whose 2018 edition runs from March 9 through 18, has announced a lineup of 132 features—with more on the way. With descriptions from the festival . . . Narrative Feature CompetitionFamily. Director/Screenwriter: Laura Steinel. When an...

Jan 31, 2018 This month, we’re bringing two essential Criterion editions to the United Kingdom: Andrei Tarkovsky’s 1962 debut feature, Ivan’s Childhood, a haunting depiction of World War II through the eyes of a young boy; and Delmer Daves’s 1957 western 3:10 to...

Jan 29, 2018 Acclaimed filmmaker Bertrand Tavernier pays loving tribute to Claude Autant-Lara’s diamond-cut romantic tragedy Douce and its radical take on class relations.

Jan 29, 2018 “It is an altogether extraordinary life, the stuff of epic,” writes Simon Callow, having just taken us from milestone to milestone in the first fifteen paragraphs of an outstanding piece for the New York Review of Books. “And now, it...

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