The Criterion Collection
May 24, 2018 — The late novelist’s work has proven to be an all but insurmountable challenge to screenwriters—but there’s hope.
Visual Analysis
May 23, 2018 — In some of his most elaborately choreographed set pieces, the silent-comedy master confronted the chaos of the world with balletic grace and rhythmic precision.
The Daily
May 20, 2018 — New restorations of rarely seen gems from the 1920s and ’30s are screening in New York.
The Daily
May 19, 2018 — All agree that the drama set in the slums of Beirut is gripping, but is it too manipulative?
The Daily
May 19, 2018 — Talky, dense, and long, the follow-up to the Palme d’Or-winning Winter Sleep is also visually splendorous.
The Daily
May 18, 2018 — Critics split over this “urban western,” Garrone’s fourth film in competition.
The Daily
May 18, 2018 — And Sergei Loznitsa wins the best director award for Donbass.
May 17, 2018 — Gaspar Noé’s nightmare party movie takes the top prize.
The Daily
May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.