The Criterion Collection
The Daily
Apr 10, 2023 — Ian Penman’s new book Fassbinder Thousands of Mirrors is neither a straight-ahead biography nor an orderly critical analysis.
Apr 5, 2023 — The composer, pop star, and occasional actor mastered a bafflingly wide range of styles and influences.
The Daily
Jan 18, 2023 — Names on the shelves this month include Terrence Malick, Vladimir Nabokov, Veronica Lake, and Mohsen Makhmalbaf.
The Daily
Dec 15, 2022 — The Black List is out, new additions to the National Film Registry are in, and there’s more on the best of 2022.
The Daily
Dec 12, 2022 — Critics, the European Film Academy, and the International Documentary Association spent the weekend listing and awarding.
Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.