Every Day a Good Day

Dec 11, 2014 — The opening installment of Terry Gilliam’s “Trilogy of Imagination” reminds us we’d be better off if we paid more attention to the kid’s-eye view of things.

Jun 30, 2014 — The filmmaker’s recollections of the great producer.

May 30, 2014 — The long relationship between director and festival has never been without its complications.

Jan 20, 2014 — Aki Kaurismäki pays wry tribute to the starving artist in his sad and funny update of Henri Murger’s classic book.

Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.

Mar 13, 2013 — The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.

Dec 6, 2011 — The Lady Vanishes (1938) is the film that best exemplifies Alfred Htchcock’s often-asserted desire to offer audiences not a slice of life but a slice of cake. Even Claude Chabrol and Eric Rohmer, in their pioneering study of Hitchcock, for...

Nov 15, 2011 — The thematic ideas and inspirations that sparked Three Colors: Blue (1993), though typically ambitious in scope, seem sketchy when compared to the intense experience of watching this exquisite film. We know that Krzysztof Kieślowski’s Three Colors trilogy corresponds to the...

Oct 25, 2011 — The central theme of the film is that the life force inherent in this music is always with us, but you are an idiot if you want to turn on the wayback machine and relive these days.

Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...