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Come inguaiammo l’esercito

May 23, 2019 One family infiltrates another in one of this year’s top critical favorites.

May 23, 2019 Our survey of this year’s edition begins with the first animated feature to take the top award.

May 21, 2019 Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

May 16, 2019 Within a brisk seventy-seven minutes, Dupieux and Jean Dujardin escort us into the mind of a potential psychopath.

May 16, 2019 All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.

May 14, 2019 The seventy-second edition will present new work by some of the world’s most renowned filmmakers.

May 14, 2019 It all comes down to that first wink. About half an hour through Michael Haneke’s 1997 cause célèbre Funny Games, Paul (Arno Frisch), one of the two politely psychotic young home invaders who’ve taken a family captive, leads one of his...

May 13, 2019 One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...

May 10, 2019 The latest updates from Cannes, the Berlinale, Il Cinema Ritrovato, and beyond.

May 8, 2019 New restorations premiering in Cannes and Karlovy Vary and series in New York and London testify to our ongoing fascination.

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