The Criterion Collection
Aug 11, 2008 — WINGS: TAKING OFF Of all the dazzlingly talented filmmakers to emerge from the Soviet Union, Larisa Shepitko has remained one of the least widely known. While many of her film school contemporaries, including Andrei Tarkovsky, Sergei Parajanov, and her...
Feb 13, 2008 — We’ve been getting some questions about the three children’s classics from Janus Films. One good customer writes: “I’m wondering what the situation with The Red Balloon, White Mane, and Paddle to the Sea is. They are listed on the Criterion...
Nov 19, 2007 — Akira Kurosawa explores criminal machismo in his seventh film, which he felt was his official breakthrough in Japanese cinema.
Essays
May 21, 2007 — In January 1948, British film producer Sir Alexander Korda, head of British-Lion and London Film Productions, commissioned novelist Graham Greene to write and research “an original postwar continental story to be based on either or both of the following territories:...
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
Features
Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
Essays
Jan 29, 2001 — Masahiro Shinoda’s historical drama uses traditional elements of Japanese theater to explore the tension between ethics and eroticism.