[REC]

Jul 15, 2019 — After premiering at Cannes in 1980, Franco Rosso’s Babylon was suppressed both in its native England and abroad for fear that it would inflame racial tensions, a fate that resulted in decades of obscurity. But over the years this reggae-fueled drama has...

Jul 12, 2019 — This week: Michael Mann, Peter Strickland, Pedro Almodóvar, Luc Moullet, and a forgotten chapter of film history.

Jul 11, 2019 — The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”

Jul 9, 2019 — Agnieszka Holland’s 1990 film Europa Europa recounts the incredible but true story of how Salomon Perel, born in 1925 in Germany to a Polish Jewish family, survived the Holocaust by posing as a pure Aryan German raised in Poland. Recruited...

Jul 5, 2019 — This week, we look back on the making of If...., black filmmakers in the 1990s, and the golden age of Mexican cinema.

Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...

Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

Jun 28, 2019 — This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.

Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

Jun 24, 2019 — Jacques Tati’s cinematic legacy rests on his four sublime comedies featuring Monsieur Hulot, his on-screen alter ego, a gawky, good-hearted Frenchman hopelessly befuddled by the modern world that’s sprung up around him. But no less than such masterpieces as Monsieur...