The Criterion Collection
Essays
Apr 30, 2024 — The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.
The Daily
Apr 29, 2024 — The festival presents restorations of films by Renoir, Hawks, Malick, and more in Sydney and Melbourne.
The Daily
Apr 26, 2024 — The director of Human Resources (1999), Time Out (2001), and The Class (2008) has died at sixty-three.
The Daily
Apr 26, 2024 — The Official Selection is complete, Classics celebrates twenty years, and beyond Cannes, summer events are lining up.
The Daily
Apr 25, 2024 — The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.
The Daily
Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.
Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.
Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.
The Daily
Apr 19, 2024 — Revivals of work by Frank Borzage, Ken Loach, and David Fincher are among this week’s highlights.
The Daily
Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.