The Last One and then We Go

Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Jan 14, 2026 — There’s a Visconti retrospective on in Vienna, a restored Comencini in New York, and films by Antonioni, Olmi, and Bertolucci will screen at Harvard.

Sep 8, 2025 — After wildly successful stops in multiple cities across the United States and, most recently, in Toronto at TIFF, we’re making a trip to Chicago!

Aug 7, 2025 — After wildly successful stops in multiple cities across the U.S., we’re taking the Mobile Closet outside the country for the first time this September.

Jul 21, 2025 — Summer offers new biographies and memoirs, expansively big ideas, and more than a few curious fictions.

Dec 13, 2024 — The week’s offered fine writing on Elaine May, Robert Siodmak and Ella Raines, and Christopher Nolan’s turning-point movie.

Oct 2, 2024 — The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.

Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Jan 17, 2024 — Steven Soderbergh contemplates writing his first novel, while Keanu Reeves already has; plus notes on Barbara Stanwyck, noir, and more.

Jun 9, 2023 — One of Hollywood’s most beloved actors showed a turbulent, sometimes downright sinister side in his collaborations with director Anthony Mann, which include the classic westerns Winchester ’73 and The Man from Laramie.