The Criterion Collection
The Daily
Nov 10, 2023 — Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.
May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.
The Daily
Aug 16, 2021 — Here’s what critics have been saying about the winners of the top awards.
Essays
Jan 26, 2021 — Larisa Shepitko was born in eastern Ukraine in 1938. Her mother was a schoolteacher; her father, who left the family, fought in World War II. Her mother raised her and her two siblings on her own, and the moment Larisa...
Jan 29, 2020 — The festival will premiere new work from Christian Petzold, Hong Sang-soo, Philippe Garrel, Sally Potter, Mohammad Rasoulof, and Tsai Ming-liang.
The Daily
Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.
Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.
Essays
Aug 20, 2007 — Luis Buñuel’s only work to be devoted entirely to Catholic dogma itself examines the six primary mysteries of the faith and the objections (or heresies, depending on your view) they have inspired.
Aug 11, 2026 — Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.
The Daily
Jul 7, 2023 — This week gives us a new Cinema Scope, an Ernst Lubitsch podcast, and an interview with John Woo.