Take Point

Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.

Jun 30, 2008 — The novelist Mishima Yukio stepped behind the camera to adapt his own short story, which depicts the act of seppuku as a thing of beauty.

Jun 23, 2008 — The year 1950 marked a turning point in Anthony Mann’s career, the moment when he passed from the series of brilliant film-noir B movies that had established him to the westerns that made him a major figure. Mann released three...

Jun 16, 2008 — Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.

Apr 21, 2008 — There’s an irony to the fact that Japanese master filmmaker Yasujiro Ozu lived his life as a bachelor, for he made some of the world’s most insightful, lived-in, and emotionally authentic films about marriage and parenthood.

Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.

Jan 21, 2008 — The feminist politics of Agnès Varda’s marital drama were ahead of their time, but it is on the level of form that the film is so unsettling and calls up contradictory interpretations.

Jan 21, 2008 — Agnès Varda seizes the kind of immediacy and tension associated, at the start of the sixties, with the cinema verité documentary movement and uses it to create a new form of fiction.

Jan 14, 2008 — As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.

Nov 19, 2007 — Akira Kurosawa explores criminal machismo in his seventh film, which he felt was his official breakthrough in Japanese cinema.