The Criterion Collection
Dec 3, 2018 — True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...
The Daily
Nov 30, 2018 — A new issue from a magazine founded over fifty years ago and a showcase of work by aspiring film critics.
On the Channel
Nov 29, 2018 — The lights may go out at midnight, but we will still be carrying the torch.
Nov 29, 2018 — 112 films, including new work from Joanna Hogg, Stanley Nelson, Kim Longinotto, and Ritesh Batra.
The Daily
Nov 29, 2018 — The largest retrospective in the U.S. yet is on through mid-December.
On the Channel
Nov 28, 2018 — In the 1940s, the nonlinear narrative began to enter the mainstream, as films like Citizen Kane and Double Indemnity boldly did away with the chronological mode that had dominated the cinematic storytelling of decades prior. While the visionary Orson Welles...
Nov 28, 2018 — It’s not every day that you see duds like these. One of the boldest splashes of local color in David Byrne’s True Stories—a genre-defying odyssey to the weird and wonderful world of north-central Texas—comes midway through, during a fashion show...
The Daily
Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...