The Criterion Collection
Jul 30, 2019 — The New York Film Festival has landed the world premiere of The Irishman—and Scorsese is already at work on his next feature.
Jul 26, 2019 — Brought to harrowing life in this film adaptation, George Orwell’s dystopian vision continues to ring true today. But so does his belief in the power of love and hope to overthrow the darkness.
The Daily
Jul 24, 2019 — New films by Josh and Benny Safdie, Marielle Heller, Pablo Larraín, Kasi Lemmons, Rian Johnson, Robert Eggers, Steven Soderbergh, and Lou Ye are heading to the festival.
Jul 23, 2019 — The near-future totalitarian England of Michael Radford’s 1984, a powerful adaptation of George Orwell’s classic novel, is a very dark place indeed. The film’s brilliant production design and color-drained photography emphasize the grubby squalor and soul-crushing uniformity of the surveillance...
Jul 23, 2019 — He even walks in stereo. So proclaims a kid on a stoop toward the beginning of Do the Right Thing; he’s stunned by the sun but also by the sight and sound of Radio Raheem. Raheem is silent but so...
On the Channel
Jul 22, 2019 — In the latest installment of the Criterion Channel’s ongoing series Adventures in Moviegoing, Tony-winning actor, LGBTQ-rights activist, and overall irrepressible talent Alan Cumming takes center stage, sitting down with our own Peter Becker for a revealing and delightful conversation about...
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
Jul 11, 2019 — The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”
The Daily
Jul 2, 2019 — The author of a book on method acting turns her attention to the performances in Do the Right Thing and the work of Juliette Binoche.
The Daily
Jun 28, 2019 — This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.