Go! Go! Go! World

Nov 23, 2017 — Considering how reticent David Lynch can be when it comes to talking about his work, Daniel Fienberg’s fared pretty well in his conversation with him for the Hollywood Reporter. At one point, they discuss the stamina it takes to direct...

Nov 22, 2017 — We begin with the latest entry in Reverse Shot’s symposium on time, Chris Wisniewski’s, on Rainer Werner Fassbinder’s The Merchant of Four Seasons (1971). The focus here is on “a sequence that seems at first ordinary and unravels under scrutiny,...

Nov 21, 2017 — Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.

Nov 16, 2017 — “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...

Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.

Nov 13, 2017 — Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...

Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.

Nov 6, 2017 — “One of the disorientations of where we’re at—the obliterative sucking splotch of a present tense in which we now all live—is that it feels simultaneously like a malign mischance and like something we should have seen coming a mile off,”...

Nov 5, 2017 — New York. “It’s probably pure coincidence that BAM is presenting a week of Sam Shepard films right as the Metrograph screens five days of Dennis Hopper–directed titles,” writes Bilge Ebiri. “No two actors of their generation better expressed the modern...

Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...