Come inguaiammo l’esercito

Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...

Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...

Jun 7, 2019 — This week we revisit the work of Pawel Pawlikowski, Carlos Reygadas, Robert Mitchum, Hal Hartley, and Elaine May.

Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...

Jun 3, 2019 — Wisdom from the Pope of Trash, the making of Raging Bull and The Wild Bunch, and studies of Tarkovsky and the Berlin School all figure in this month’s round.

May 31, 2019 — Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...

May 31, 2019 — Channel Calendars The Man Who Fell to Earth (1976) It’s vacation season, and we have a month of exciting journeys for you on the Criterion Channel. Get ready to travel through Europe with Ingrid Bergman, get lost in the enigmatic...

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.