The Criterion Collection
Chris Morris is music editor of the Hollywood Reporter, columnist for Los Angeles CityBeat, and host of Watusi Rodeo on Indie 103.1 in Los Angeles. He received a Grammy Award nomination for his liner notes for Rhino Records’ 2003 box...
Jonathan Lethem is the author of thirteen novels, including Chronic City and Brooklyn Crime Novel. His writings and commentaries on film include the monograph They Live; liner notes for releases of Robert Siodmak’s The Killers, Thom Andersen’s Red Hollywood, Orson...
Peter Occhiogrosso's authorized book, Inside Spinal Tap, was republished by Little, Brown in London after being out of print for many years. It has just been remaindered.
Adrian Turner, a British film journalist and critic, is the author of books on David Lean, Billy Wilder, Hollywood in the ’50’s, and most recently, screenwriter Robert Bolt.
Movie critic Michael Sragow, the author of Victor Fleming: An American Movie Master, edited two volumes of James Agee’s prose for the Library of America. His documentary writing and coproducing credits include Image Makers: The Adventures of America’s Pioneer Cinematographers...
In Theaters
Nov 9, 2017 — Big Theater Tomorrow night, the Brattle Theatre in Cambridge, Massachusetts, will spool up a 35 mm print of Max Ophuls’s The Earrings of Madame de . . . (1953), a film selected by Mad Men creator Matthew Weiner, who will...
In Theaters
Nov 2, 2017 — The Cinémathèque Française celebrates the work of Luchino Visconti with four weeks of retrospective screenings, including this presentation of Le notti bianche.
In Theaters
Oct 12, 2017 — The Roxy Theater in Missoula, Montana, pays tribute to one of the masters of body horror with a screening of the 1981 film Scanners.
Apr 21, 2026 — It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...
Jul 17, 2024 — Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.