The Criterion Collection
Dec 22, 2025 — The critic and curator talks about working on a program of films by trailblazing Black women directors, which opened at London’s BFI Southbank this year and is now playing on the Criterion Channel.
Dec 2, 2025 — In a string of short films he made in the 1920s, Man Ray brought a restlessly inventive spirit to a young medium, pushing the boundaries of cinematic form with frenetic editing, abstract imagery, and surrealist camera tricks.
The Daily
Sep 10, 2024 — A commanding presence on the stage and on movie and television screens, Jones could perform wonders with that voice.
The Daily
Dec 6, 2023 — American Fiction, May December, and Past Lives lead with five each, and Showing Up has already won the Robert Altman Award.
Essays
May 30, 2023 — Arriving at a fulcrum moment in women’s history in the United States, Thelma & Louise stoked controversy by delivering a boldly feminist worldview in a funny, warm, and sexy package.
The Daily
May 5, 2023 — Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.
Mar 29, 2023 — The Brazil-based programmer discusses her transnational, oppositional approach to curating the daring lineup for Opacity, which was presented at the Flaherty Seminar in 2021 and is now available on the Criterion Channel.
The Daily
Oct 17, 2022 — Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.