The Criterion Collection
The Daily
Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).
The Daily
Jun 21, 2023 — The Method, riffs on pop culture, and a fist fight with Lawrence Tierney all figure in this month’s roundup on new and noteworthy titles.
The Daily
Jun 16, 2023 — The week has brought interviews with Claire Denis and Pedro Costa and essays on the work of James Baldwin and Sharon Lockhart.
Jun 16, 2023 — Daisy von Scherler Mayer is an American film and television director. She made her feature debut with the critically acclaimed cult classic Party Girl, which premiered at the Sundance Film Festival in 1995, and was recently streaming on the Criterion...
The Daily
Jun 14, 2023 — At least one adaptation was met with unqualified critical and financial success—and then there’s the one McCarthy wrote from scratch.
The Daily
Jun 13, 2023 — The star of Miloš Forman’s Hair, Sidney Lumet’s Prince of the City, and Joyce Chopra’s Smooth Talk was seventy-one.
Jun 9, 2023 — One of Hollywood’s most beloved actors showed a turbulent, sometimes downright sinister side in his collaborations with director Anthony Mann, which include the classic westerns Winchester ’73 and The Man from Laramie.
The Daily
Jun 5, 2023 — The director of one of the major early works of the French New Wave lived to see interest in his work revived.
The Daily
May 31, 2023 — It’s not every year that so many critics are pleased with the juries’ choices.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.