To Each His Own

Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?

Nov 12, 2013 — Noah Baumbach and Greta Gerwig create a luminous, romantic portrait of a young woman looking for fulfillment in New York City.

Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.

Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.

Jul 8, 2013 — With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.

Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

Apr 4, 2013 — 1. Director Robert Bresson originally titled his screenplay Aide-toi . . ., a reference to the French expression “Aide-toi et le ciel t’aidera” (“Heaven helps those who help themselves”). He ultimately decided instead to use the title Devigny’s journalistic account of his...

Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.

Nov 6, 2012 — When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...