The Man Who Will Come

Apr 27, 2022 — In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.

Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.

Jun 24, 2021 — And we have more news from Locarno, Telluride, and San Sebastián.

May 24, 2021 — We’re reading more about Billy Wilder and Alfred Hitchcock and about Sofia Coppola and Stanley Kubrick.

Feb 24, 2021 — He never really pushes that cart, does he? Despite the film’s title, Ahmad (Ahmad Razvi), the mournfully persistent protagonist of Ramin Bahrani’s 2005 debut feature, Man Push Cart, is almost always seen pulling his cart through the nighttime streets of...

Aug 28, 2020 — One severe pan, a good handful of raves, and a set of fence-straddling reviews recommending that viewers go ahead and proceed—but with caution.

Aug 14, 2020 — Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.

Jul 15, 2020 — When I first saw The Lady Eve (1941), in my teens, I was certain I had never seen a comedy more perfectly constructed, a judgment that the subsequent decades have not revised. I had also seen none more acutely witty,...

Jul 3, 2020 — One Scene By 2008, Olivier Assayas was perhaps best known as a director of fraught, emotionally intense, experimentally structured thrillers such as Irma Vep (1996), demonlover (2002), and Boarding Gate (2007), so the contemplative quiet of the feature he released...

Jun 11, 2020 — Early reviews suggest that this may be one of Lee’s most vital and immediately relevant features yet.