The Ex

Jun 7, 1999 — From the moment of its first appearance, at the Cannes Film Festival in 1959—where it won the Palme d’Or—it was clear that Black Orpheus was a very special film. Taking the ancient Greek myth of a youth who travels to...

Feb 22, 1999 — To experience a film by Japanese B-movie visionary Seijun Suzuki is to experience Japanese cinema in all its frenzied, voluptuous excess. Born in Tokyo in 1923, Seijun Suzuki is best known for a cycle of extraordinary yakuza (gangster) movies he...

Oct 19, 1998 — Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints...

Jun 7, 1993 — For as long as images have flickered on a screen, romance has been the ever-beating heart of the filmgoing experience, and audiences never seem to tire of seeing lovers in each other’s arms. Yet when it comes to the most...

Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.

Jun 25, 1989 — Three men seek shelter from the rain under the ruined gate of the ancient city of Kyoto. There is nothing to do but talk, about a topic which torments two of the wayfarers, who have just been witnesses in a...

Nov 5, 2024 — As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.

Jul 5, 2017 — Louis Malle’s intimate portrait of the American immigrant experience, commissioned on the centenary of the Statue of Liberty, screens in Pittsburgh this weekend.

Oct 25, 2013 — “I’ve been asked to select ideal Halloween viewing from Criterion’s extensive catalog,” writes the novelist, critic, broadcaster, and all-around horror maven Kim Newman. “In the interests of not incriminating myself, I’ve stayed away from releases I’ve had a hand in...

Apr 16, 2007 — Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.