The Criterion Collection
In Theaters
May 25, 2016 — Repertory PicksFor the past month, Minneapolis’s Trylon microcinema has devoted its screen to the films of Robert Mitchum—nine of them in total. This weekend marks the finale in the series, Robert Mitchum: Cheap, Flash, and Brilliant, and the theater is...
May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.
Sneak Peeks
Apr 25, 2016 — The filmmaker’s heartbreaking 1945 tale of forbidden love remains one of the screen’s all-time most romantic films.
Apr 22, 2016 — Writer Harold Schechter shares a list of five true-crime films that encapsulate the essence of fear—including collection favorites In Cold Blood, The Honeymoon Killers, and Badlands—in the Library of America’s biweekly Moviegoer column.
Sneak Peeks
Apr 14, 2016 — Before he became one of cinema’s greatest directors, Howard Hawks was a pilot for the U.S. Army Air Corps during World War I. And in the years following the war, Hawks took advantage of his flying expertise and the public’s...
Apr 14, 2016 — In honor of our disc release last week of the classic John Frankenheimer thriller The Manchurian Candidate, we sat down to talk about the film with the director’s widow, actor Evans Frankenheimer.
In Theaters
Apr 7, 2016 — Repertory PicksThis week, the Janus Films touring retrospective of Wim Wenders’s work is making a stop at the Railroad Square Cinema in Waterville, Maine, to screen the iconic German director’s 1984 masterpiece Paris, Texas. Based on a script by award-winning...
Mar 18, 2016 — The French filmmaker discussed revisiting the world of his breakthrough feature, his desire to communicate with a younger generation, and his signature cinematic flourishes.
Features
Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.