No Man of Her Own

May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

Mar 3, 2026 — The BAMPFA series presents newly restored classics and four films by Rakhshan Banietemad.

Feb 11, 2026 — Opening Friday: Noir City in Seattle, the Nitrate Film Festival in Los Angeles, and Cinéma Du Cashiers in New York.

Aug 27, 2025 — The summer’s been terrific for new movie magazines and filmmaker biographies.

Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”

Feb 24, 2025 — Todd Haynes’s jury gives the Berlinale’s top awards to films by Dag Johan Haugerud, Gabriel Mascaro, Iván Fund, Huo Meng, and Radu Jude.

May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.

Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.

Aug 7, 2023 — In a tribute to Elvis Presley that aired on Turner Classic Movies, Kurt Russell says that “an Elvis movie is always worth watching because of Elvis.” This insight gets at a core truth about a much maligned and mostly dismissed...