Kill

Aug 12, 2014 — The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.

Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...

Jun 24, 2014 — One of the most important contributions Peter Davis’s Hearts and Minds makes to our national dialogue on the Vietnam War is its portrayal of ordinary Vietnamese. For years, the Vietnamese had been conspicuous by their absence in American film and...

Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

Apr 15, 2014 — In the 1950s, many Japanese directors made films that urgently reflected the postwar realities of their country, from economic struggle to nuclear fallout. Another common theme was the influence of American culture on Japan, as seen in films by Nagisa...

Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Mar 11, 2014 — Presenting  five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...

Feb 19, 2014 — Alfred Hitchcock’s second Hollywood film, Foreign Correspondent, is a killer caper—but due to what was going on in the world during its production, it’s much more than that. Following an American journalist investigating an escalating war in Europe, the film...

Feb 18, 2014 — The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.

Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.