Graham Greene on Sabotage

On the Channel

Dec 13, 2016 Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...

Ozu in Pittsburgh

In Theaters

Mar 17, 2016 Repertory Picks This weekend, Row House Cinema will launch the first-ever Pittsburgh Japanese Film Festival, featuring four diverse films by some of Japan’s most beloved filmmakers—including Akira Kurosawa and Yasujiro Ozu. Among the films screening during the festival is Ozu’s...

Apr 1, 2015 Ingmar Bergman plumbs unfathomable depths in his cinematically sensual tale of four women facing the inevitable in mind and body.

Mar 16, 2015 Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.

Jul 22, 2014 Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.

Apr 4, 2014 Did You See This?• Harvey Milk commemorated • The great movie critic James Baldwin • Seriously beef up your Orson Welles memorabilia. • Taking inspiration from Cléo • A Crimean film festival • Doris Day turns ninety! • French critics...

Dec 22, 2013 The author reflects on his interactions with the great filmmaker.

Apr 23, 2013 Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Jan 20, 2012 Quel scandale! In The Smiling Lieutenant’s “Jazz Up Your Lingerie,” one of the most delightful numbers from all the titles in the Eclipse series Lubitsch Musicals, Claudette Colbert’s free-and-easy flapper Franzi gives Miriam Hopkins’s prim Princess Anna (royalty from a...

Mar 21, 2011 Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...

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