The Criterion Collection
Jun 27, 2017 — After nearly a decade of honing his craft, Alfred Hitchcock firmly established his reputation with this silent thriller.
Essays
Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.
Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.
Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
Essays
May 8, 2012 — These thoughts on La haine by director Costa-Gavras first appeared in the program book for the 2006 Toronto International Film Festival, where the film was screened. La haine is a phenomenon, in that it is an abnormal, a surprising, and...
Apr 25, 2012 — Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...
Apr 24, 2012 — An unverifiable, if heartfelt, assertion: For the quarter century between 1945 and 1970 (or from Rome Open City to Fellini Satyricon), the world’s greatest popular cinema was produced in Italy—a realm of glamorous superstars, sensational comedians, and great genre flicks....
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.