The Criterion Collection
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
The Daily
Feb 18, 2022 — This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
The Daily
Feb 16, 2022 — Among the notable titles competing this year are new films from Sho Miyake, Gastón Solnicki, and Ashley McKenzie.
The Daily
Feb 11, 2022 — The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.
Feb 11, 2022 — The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.
The Daily
Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.
The Daily
Feb 9, 2022 — Restorations and revivals of works by two unjustly overlooked filmmakers are now underway.
Feb 8, 2022 — A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.
The Daily
Feb 4, 2022 — This week: Céline Sciamma, Julia Ducournau, Jane Campion, Mahamat-Saleh Haroun, and Joachim Trier and Renate Reinsve.