The Criterion Collection
Jul 11, 2012 — Performances Of all the stultified suburban folks in The Ice Storm, Ang Lee’s diamond-sharp adaptation of Rick Moody’s novel about two Connecticut families in the early seventies, Sigourney Weaver’s Janey Carver might appear the least in need of attention. Most...
Dec 21, 2009 — Me and Orson Welles is the latest film from director Richard Linklater (Slacker, Dazed and Confused). Set in late-1930s New York, it’s both a nuanced, entertaining look at Orson Welles’s early career as founder of the Mercury Theater and a...
Features
Dec 2, 2008 — The Danish director explains movie magic and confesses his carnal sins in this impassioned artist statement written to accompany the films that make up his Europe Trilogy
Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.
Oct 15, 2020 — Songbook According to Kraftwerk member Wolfgang Flür, it was toward the end of the group’s first U.S. tour when his bandmates Ralf Hütter and Florian Schneider grew fascinated by the phenomenon of American radio. Their time in the States had...
Interviews
Nov 18, 2009 — Wes Anderson’s surprising latest endeavor, the stop-motion Roald Dahl adaptation Fantastic Mr. Fox, is out in theaters now and garnering terrific reviews. We thought we’d catch up with our friend and ask him some questions about this charming labor of love,...
Dec 15, 2008 — Flash back to September 1968. The Swedish Film Week in Sorrento, Italy, with its alfresco suppers and its excursions to Capri and Pompeii. Ingmar Bergman was expected, and he and Liv Ullmann were assigned a luxurious villa for the duration....
Essays
Oct 4, 2011 — No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.
The Daily
Dec 10, 2025 — To celebrate the centennial of Battleship Potemkin, the Austrian Film Museum presents a near-complete retrospective.
The Daily
Oct 30, 2024 — The filmmaker struggled to emerge from the long shadow of one of the world’s most famous artists.