The Criterion Collection
Oct 14, 2014 — What happens offscreen is as important as what’s on- in John Ford’s subtle, elegiac take on the Wyatt Earp–Doc Holliday story.
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...
Apr 26, 2009 — The British film magazine Sight & Sound dedicates its May issue to the fiftieth anniversary of the French New Wave, which it dates to the first screening of François Truffaut’s The 400 Blows (on May 4, 1959, at the Cannes...
Jul 9, 2007 — Set almost entirely in a single house, Hiroshi Teshigahara’s eloquent collaboration with writer Kobo Abe shows both his powerful staging and his love of fine, almost microscopic, detail.
Dec 6, 2004 — In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.
Jun 5, 2026 — Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...
Features
Sep 26, 2025 — One of the most provocative subgenres of 1970s exploitation cinema, nunsploitation explores the collision of sex and religious dogma through stories of desperately horny women of the cloth.
Mar 26, 2025 — Ten newly restored features screen for a week in New York starting Friday.
Nov 19, 2024 — William Wyler’s adaptation of the Broadway musical celebrates the indomitability of vaudeville legend Fanny Brice, embodied by Barbra Streisand in an incandescent and remarkably vulnerable performance.
The Daily
Mar 5, 2024 — Friends and admirers pay tribute to his rigorous scholarship, his boundless enthusiasm, and his warm generosity.