The Criterion Collection
Apr 24, 2006 — M ade in 1965 and still considered by many to be Marco Bellocchio’s masterpiece, Fists in the Pocket foreshadows the years of student protest in a family tragedy bordering on horror. This seminal first feature catapulted the twenty-six-year-old Bellocchio to...
Aug 2, 2004 — The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...
May 9, 2004 — With his vibrant chronicle of an Oedipal revolt, Volker Schlöndorff captures the source novel’s singular recreation of the German past.
Jan 6, 2003 — Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Sep 1, 1992 — The evolution of Jason and the Argonauts began in the late 1950s, after the initial success of 20 Million Miles to Earth. Harryhausen and his producer, Charles Schneer, decided to get away from doing “monster-on-the-loose” stories and try something more...
Essays
Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”
The Daily
Jun 12, 2026 — We’re hunkering down with an oral history of Steven Spielberg and reading about Mary Harron, Marianne Jean-Baptiste, Radu Jude, and Pier Paolo Pasolini.
The Daily
Jun 2, 2026 — Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.