In Our Time

Feb 9, 2018 — Ioncinema has completed its countdown of the fifty most anticipated foreign films of 2019—that’s twenty-nineteen—and Nicholas Bell has written up a paragraph for each of the top ten: 1. Untitled Jonathan Glazer Project2. Abel Ferrara’s Siberia3. Kleber Mendonca Filho and...

Oct 24, 2017 — In this intimate psychological thriller, Olivier Assayas interrogates contemporary society’s near-religious reliance on technology and its mediation of reality.

Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Sep 11, 2017 — Just as the weekend began, Variety’s Cynthia Littleton and Daniel Holloway broke the news that Amazon had ordered up a rather remarkable round of new series.Wong Kar-wai will direct Tong Wars, “an hour-long drama written and executive produced by Paul...

May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.

Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.

Jun 7, 2016 — “One of the discoveries of the road movies was not only that you could travel and work and make a film at the same time, and improvise it, but that rock and roll could also be, in the true sense,...

Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.

Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.