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I Know Who You Are

Sep 29, 2017 During this month’s Toronto International Film Festival, we began seeing reviews and interviews that would eventually make their way into the new issue of Cinema Scope: Adam Nayman’s conversation with Denis Côté about A Skin So Soft, for example, and...

Sep 24, 2017 For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...

Sep 17, 2017 While we’re still reeling from the loss of Harry Dean Stanton, there are others who’ve left us this past week or so we’ll want to remember.“Frank Vincent, whose tough-guy looks brought him steady work as a character actor in film...

Sep 15, 2017 Our first order of business here is to catch up with an item or two you’ve most likely already heard enough about. But there’s no getting around at least a mention of the replacement of Colin Trevorrow as director of...

Aug 8, 2017 This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.

Jun 10, 2017 On Wednesday, Martin Scorsese, in partnership with the Pan African Federation of Filmmakers and UNESCO, officially launched the African Film Heritage Project. The Film Foundation, founded and chaired by Scorsese, will take part in the restoration of fifty African films....

May 30, 2017 Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.

Apr 21, 2017 George Stevens’s Oscar-winning comedy captures the first sparks of attraction that ignited one of the great on- and offscreen romances in Hollywood history.

Mar 3, 2016 By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.

Mar 19, 2015 The author recalls his encounters and correspondence with the filmmaker.

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